Implementation of “new value” in society Creation of the future of “expression”
We are a production company engaged in conception, planning, and execution activities that all sorts of events to success, both inside and outside Japan. We trigger the chemical reactions that excite both visitors/audiences and artists, and deliver the constantly updated interest of “the present.” Drawing fully on the networks and relationships unique to precog, we heighten the level of works and performances by repeated research from multifaceted perspectives, and are in ongoing pursuit of project contemporaneity and continuity. We discover the value hidden in “expression” in everyday life, connect with the international scene and the local community, take account of education and welfare, and create the future of “expression.”
* Origin of our name “Precog” stands for “one who has the ability for precognition (foreknowledge).”
Born in Tokyo in 1979, Akane Nakamura became involved in performing arts while she was an undergraduate in the College of Art at Nihon University. She handles tasks in a wide variety of areas, such as production of the activities of contemporary theater and dance artists and companies inside and outside Japan, holding of site-specific festivals, and execution of programs for interdisciplinary human resource development. She founded precog Co., Ltd. in 2006, during her stint as program director at the NPO ST Spot Yokohama (2004 – 2008), and has been its Representative Director since 2008. precog has produced the works of artists in Japan and other countries, including Toshiki Okada’s chelfitsch and Mikuni Yanaihara’s Nibroll, and handled international tours and co-productions in 70 cities in 30 different countries. In 2009, she established the NPO Drifters International. She proposed and is one of the directors of the Open Network for Performing Arts Management (ON-PAM). Since 2011, she has served as a part-time instructor in the Nihon University College of Art. She has built up an impressive record of collaboration with other parties, such as The Japan Foundation Asia Center, British Council, Kanagawa Arts Theatre (KAAT), Tokyo Metropolitan Government, and the municipal governments of Kunisaki and Bungo-Takada in Oita Prefecture.
Since 2019, Ms. Nakamura has been broadening the activities of precog, as evidenced by its service as the secretariat of the True Colors Festival. This event is organized by The Nippon Foundation and aimed at transcending disabilities and differences in aspects including gender, generation, language, and nationality.
After employment at the publishing company Little More, Ms. Kanamori founded the fashion brand THEATRE PRODUCTS in 2001 and served on its board of directors until 2017. She established the NPO DRIFTERS INTERNATIONAL in 2010, and produced art festival programs, fashion shows, and publishing projects. She handled the directorial tasks for the True Colors Festival held by The Nippon Foundation in 2019. She joined precog in 2020 and is in charge of operations related to accessibility, publicity & PR, and branding, General Director of THEATRE for ALL, the barrier-free, online theater.
Kumi Hiraoka
Senior Producer
Illustration: hagie K
Kumi Hiraoka
Senior Producer
Ms. Hiraoka has been active as a dance producer and coordinator since 1991. Besides being involved with many artists including Mika Kurosawa, Mikiko Kawamura, Kaori Seki, she has participated in various projects as a producer. More specifically, she has taken a hand in performances held by theaters, programs for unearthing choreographic talent, projects for community revitalization centered around civic halls, and international platforms and festivals for the performing arts. In 1997, she was selected for the Japanese Agency for Cultural Affairs Program of Overseas Study for Upcoming Artists. She has been a director of the NPO Kodomo no Shiro Choir since 2015, and has been overseeing various projects and work at precog in her role as Senior Producer since 2019.
Tamiko Ouki
Chief Producer (Artist Division)
Illustration: hagie K
Tamiko Ouki
Chief Producer (Artist Division)
Ms. Ouki joined precog in 2008. After working in project publicity, she was placed in charge of the production of works by chelfitsch and Toshiki Okada beginning in 2010. Over the years 2011 – 2018, she handled the management of tours in various cities in Europe, North America, South America, and Asia as well as sales activities inside and outside Japan. In her capacity as producer, she has been involved in the production of more than 10 works, mainly by chelfitsch, since 2013. In 2020, she launched into overall management of projects with artists as chief of the Artist Department.
Mai Hyodo
Chief Producer (Barrier-free communication Division)
Illustration: hagie K
Mai Hyodo
Chief Producer (Barrier-free communication Division)
As the head of the Barrier-free Communication Division, Mai Hyodo is in charge of accessibility, online programs, and other such activities. During her tenure at the NPO DRIFTERS INTERNATIONAL over the years 2011 – 2014, she was in charge of the secretariats for school programs and festival projects. In 2015, she joined precog, where she was assigned to management of the activities of chelfitsch/Toshiki Okada and to administrative duties. After handling general management in the secretariat of the 2019 True Colors Festival held by the Nippon Foundation, she was assigned to general management of the planning and operation work for the newly launched THEATRE for ALL.
Yuka Morita
Chief Administrator (Administration Division)
Illustration: hagie K
Yuka Morita
Chief Administrator (Administration Division)
Before joining precog in 2019, Yuika Morita was employed at a government office over the years 2013 – 2019. As the chief of the administration team, she is in charge of supervision of the operation of rental space operated by precog, application for subsidies for various projects, internal accounting, labor management, general affairs, and legal matters.
Megumi Mizuno
Producer
Illustration: hagie K
Megumi Mizuno
Producer
Beginning in her days as a student in the Department of Body Expression and Cinematic Art at Rikkyo University’s College of Contemporary Psychology, Ms. Mizuno served as a production assistant for festivals and performances, and was in charge of producing the theatrical troupe Zeitaku Binbou (2014 – 2016). After joining precog in 2016, she became involved in production work for performances in Japan and other countries by Mikuni Yanaihara and Yudai Kamisato as well as “Pratthana – A Portrait of Possession,” a play written and directed by Toshiki Okada, “Jejak-Tabi Exchange.” and the Eraser series created by chelfitsch & Teppei Kaneuji and other projects. She became Project Manager in 2019 and was appointed to be the tour manager for chelfitsch and manager for Mr. Okada in 2020. She was appointed Producer in the Artists Division in 2021. She has also been serving as the representative director of P since February 2021.
Yuka Yatsu
Ticketing Coordinator/Project Manager
Illustration: hagie K
Yuka Yatsu
Ticketing Coordinator/Project Manager
Yuika Kurita
Project Manager
Illustration: hagie K
Yuika Kurita
Project Manager
Mizuki Tazawa
Producer
Illustration: hagie K
Mizuki Tazawa
Producer
Mizuki Tazawa graduated from the Japan Women’s College of Physical Education with a degree in Dance Studies. Over the years 2016 – 2019, she interned at TPAM and was employed part-time in on-site production and reception work. From 2018 to 2020, she worked as an assistant in the Department of Dance (the former Dance Studies Major) at the Japan Women’s College of Physical Education. She joined precog in April 2021, and is a member of the Artists Division. She is engaged mainly in management of domestic programs and the activities of Mr. Okada.
Yuri saito
Project Manager
Illustration: hagie K
Yuri saito
Project Manager
Yuri Saito graduated from the Directing Course in the Cinema Department, College of Art, Nihon University. From 2016 to 2019, she was involved in hall rental and operation as well as independent projects at the Kyoto-Gekijo. After pursuing language study in the United Kingdom for about one year, she joined precog in April 2021. She has been posted to the Artists Division and is assigned to the desk there.
Mei Hayashi
Project Manager
Illustration: hagie K
Mei Hayashi
Project Manager
Miki Tainaka
Publicity Assistant
Illustration: hagie K
Miki Tainaka
Publicity Assistant
Megumi Shimizu
Publicity Assistant
Illustration: hagie K
Megumi Shimizu
Publicity Assistant
Nanami Endo
Project Assistant
Illustration: hagie K
Nanami Endo
Project Assistant
Taeko Nishi
Project Assistant
Illustration: hagie K
Taeko Nishi
Project Assistant
Minako Iwai
Desk Assistant
Illustration: hagie K
Minako Iwai
Desk Assistant
Hiroko Saito
Desk Assistant
Illustration: hagie K
Hiroko Saito
Desk Assistant
Maki Kawano
Desk Assistant
Illustration: hagie K
Maki Kawano
Desk Assistant
Kenta Yamazaki
Partner Writer
Illustration: hagie K
Kenta Yamazaki
Partner Writer
Azusa Kobayashi
Partner Producer
Illustration: hagie K
Azusa Kobayashi
Partner Producer
Riku Yamakawa
Partner Director
Illustration: hagie K
Riku Yamakawa
Partner Director
History
2003 – Founding
2004 – – Start of the holding of Azumabashi Dance Crossing, an event held in Sumida Ward, Tokyo (organizer: Azuma Dance Crossing Executive Committee)
2005 – First production work consignment from the theatrical company chelfitsch – Production of the program for the opening of Kichijoji Theatre in the first production work consignment from the Mikuni Yanaihara Project. – Selection of “Five Days in March,” a play written by Toshiki Okada, for the 49th Kishida Kunio Drama Award
2006 – Incorporation and registry as “precog co., LTD.” CEO: Yasuo Ozawa
2007 – First production work consignment from the dance company Nibroll – Extension of invitation to chelfitsch for performance of “Five Days in March” at the Kunsten Festival des Arts in Brussels, Belgium
2008 – Yasuo Ozawa replaced by Akane Nakamura as CEO – Performance of the play “Freetime” by chelfitsch at the Kunsten Festival des Arts, Wiener Festwochen (Vienna), and Festival d’Automne à Paris (Paris) in their first international co-production
2009 – 2010 – Production & operation of Spectacle in the Farm, a festival held in the town of Nasu, Tochigi Prefecture (organizer: Spectacle in the Farm Executive Committee)
2012 – Opening of PUNTO PRECOG, a challenge shop / try-out store, in the city of Beppu, Oita Prefecture
2012 – 2014 – Direction & operation of the performance program for the Kunisaki Art Festival (organizer: Kunisaki Art Festival Executive Committee, consisting of Oita Prefectural Government, Bungo-Takada Municipal Government, Kunisaki Municipal Government, and Tourism OITA)
2016 – First secretariat work consignment from chelfitsch (with the status of a general incorporated association)
2017 – First secretarial work consignment from the general incorporated associations P and DRIFTERS INTERNATIONAL
2018 – Opening of Yamabuki Factory, a rehearsal studio, in Shinjuku Ward, Tokyo – Selection of “The Story of Descending the Long Slopes of Valparaíso,” a play written by Yudai Kamisato, for the 62nd Kishida Kunio Drama Award – Planning & Production of “Pratthana – A Portrait of Possession,” a play based on Thai-Japanese collaboration (organizer: The Japan Foundation Asia Center). Staging of performances at Bangkok in 2018 and the Festival d’Automne à Paris and at Tokyo in 2019 (the theater Schaubühne was cancelled)
2019 – Launch of the Conneling Study, an education diffusion project – In charge of invitational assistance and publicity for the staging of “History of Violence,” a play from the Schaubühne theater (Berlin) at Tokyo Festival 2019 (organizer: the Tokyo Festival Executive Committee consisting of Toshima City, Toshima Mirai Cultural Foundation, Festival/Tokyo Executive Committee, and the Tokyo Metropolitan Foundation for History and Culture (Tokyo Metropolitan Theatre & Arts Council Tokyo))
2019 – 2020 – In charge of the secretariat for the “True Colors Festival” held in Tokyo (organizer: The Nippon Foundation DIVERSITY IN THE ARTS)
2020 – Selected by the Agency for Cultural Affairs for the 2020 Strategic Art and Culture Creation Promotion Project “Project to Strengthen Profitability of Culture and Arts” to implement a barrier-free online video distribution platform project. – Launch of “THEATRE for ALL,” a video distribution website with viewing support.
2021 – Ministry of Health, Labor and Welfare entrusted us with a project to support the dissemination of artistic and cultural activities by people with disabilities in the field of performing arts.
Our clients
[ Theater ] Aichi Prefectural Art Theater (Aichi, Japan), Avant Garden (Trondheim, Norway), BIRD Theatre Company TOTTORI (Tottori, Japan), Doosan Art Center (Soul, South Korea), Esplanade Theatres on the Bay (Singapore), HAU Hebbel am Ufer Berlin (Berlin, Germany) Hong Kong Cultural Centre (Hong Kong), Inside-out theater (Beijing, China), Kanagawa Arts Theatre (Kanagawa, Japan), KIRARI FUJIMI (Saitama, Japan), Künstlerhaus Mousonturm (Frankfurt, Germany), Mie Center For the Arts (Mie, Japan), Munich Kammerspiele (München, Germany), NAGANO CITY ARTS CENTER (Nagano, Japan), Niigata City Performing Arts Center “RYUTOPIA” (Niigata, Japan), NYU Skirball Center (New York, United States), Onassis Culutural Center (Athens, Greece), On the Boards (Seattle, United States), PETA THEATER (Manila, Philippine), ROHM Theatre Kyoto (Kyoto, Japan), SAITAMA ARTS THEATER (Saitama, Japan), Sesc Bom Retiro (São Paulo, Brazil), Shanghai Dramatic Arts Centre (Shanghai, China), Tokyo Metropolitan Theatre (Tokyo, Japan), Toyohashi Arts Theatre PLAT (Aichi, Japan)
[ Festival ] ART SETOUCHI (Seto Inland Sea, Japan), Asia TOPA (Melbourne, Australia), KUNISAKI ART FESTIVAL (Oita, Japan), KYOTO EXPERIMENT (Kyoto, Japan), Echigo-Tsumari Art Triennale (Niigata, Japan), Festival/Tokyo (Tokyo, Japan), Festival TransAmériques (Montreal, Canada), Festivals d’Automne à Paris (Paris, France), Holland Festival (Amsterdam, Holland), Homeworks7 (Beirut, Lebanon), Hongkong Arts Festival (Hong Kong), Kunstenfestivaldesarts (Bruxelles, Belgium), Saitama Triennale (Saitama, Japan), Shanghai Biennale (Shanghai China), SPRING Performing Arts Festival (Utrecht, Holland), Taipei Arts Festival (Taipei, Taiwan), The Aichi Triennale (Aichi, Japan), Tokyo Festival (Tokyo, Japan), Under the Rader (New York, United States), Venice Biennale (Venice, Italy) , Wiener Festwochen (Vienna, Austria) etc.
[ Museum ] 21st Century Museum of Contemporary Art, Kanazawa (Ishikawa, Japan), Benesse Art Site Naoshima (Kagawa, Japan), Centre national d’art et de culture Georges Pompidou (Paris, France), Centre Pompidou-Metz (Metz, France), Contemporary Art Museum, Kumamoto (Kumamoto, Japan), Mori Art Museum (Tokyo, Japan), The Museum of Art, Kochi (Kochi, Japan), The National Museum of Art, Osaka (Osaka, Japan), The Tokyo Metropolitan Art Museum (Tokyo, Japan), Yokohama Museum of Art (Kanagawa, Japan)
[ Cultural Center ] Art Tower Mito (ATM) (Ibaraki, Japan), Asia Culture Center (Gwangju, South Korea), Bangkok Art and Culture Centre (Bangkok, Thailand), Dance Base Yokohama (Kanagawa, Japan), Japan Society (New York, United States), Nam Jun Pike Art Center ( Soul, South Korea), ONASSIS STEGI (Athens, Greece), PACT Zollverein (Essen, Germany), SAPPORO CULTURAL ARTS COMMUNITY CENTER SCARTS (Hokkaido, Japan), SHIBUYA SCRAMBLE SQUARE Co., Ltd. (Tokyo, Japan), Wacoal Art Center (Tokyo, Japan), Walker Art Center (Minneapolis, United States), Yamaguchi Center for Arts and Media (Yamaguchi, Japan)
[ Administration /Foundation ] Agency for Cultural Affairs, Fukuoka City Foundation for the Promotion of Culture and Arts, Fukutake Foundation, Japan Foundation, Japan Foundation Asia Center, Ministry of Health, Labour and Welfare, Sapporo Cultural Arts Foundation, Shimane Prefecture Foundation for Cultural Promotion, The Nippon Foundation, The Nippon Foundation DIVERSITY IN THE ARTS
[ Other corporations ] ASMIK ACE, INC., BEPPU PROJECT, chelfitsch, HoriPro Inc., Levi Strauss Japan K.K., Loftwork Inc., N.P.O. DRIFTERS INTERNATIONAL, SIGLO Ltd., Wataboshi-No-Kai Social Welfare Corporation (Tanpopo-No-Ye Art Center HANA)
[ Educational institutions ] Chulalongkorn University (Bangkok, Thailand), City University of New York (New York, United States), Freie Universität Berlin (Berlin, Germany), J. F. Oberlin University, SHIKOKU Gakuin University, Tama Art University, The University of Tokyo, Waseda University Academic Solutions Corporation
Our contributions
Agency for Cultural Affairs Arts Council Tokyo ASAHI GROUP ARTS FOUNDATION City of Yokohama Culture and Tourism Bureau (Formerly: City of Yokohama APEC and Creative City Headquarters) Fukutake Foundation Japan Arts Council KANSAI・OSAKA 21st Century Association National Institution for Youth Education The Japan Foundation The Japan Foundation Asia Center. The Saison Foundation Yokohama City Arts and Culture Promotion Foundation
Company information
Company name: precog co.,LTD. Date of establishment: 28th December 2006 Main Office: 1-24-15 Kakinokizaka, Meguro-ku,Tokyo, Japan 152-0022 Phone number: +81 3 6825 1223 Fax number: +81 3 6421 2744 Capital: JPY 9,000,000 (As of August 2015) Executive: Akane Arimitsu Major Bank: Bank of Tokyo-Mitsubishi UFJ, Ltd. Shibuya Branch
